4 poems from ‘The Groundswallowers’

1.

Turn off, Lay low, Shut up.

How to design a hailstorm?

I am aware of an instance

where a considerable

length of cable unspoiled

into an uncharted trench.

I’d imagine a source of curiosity, I hope there

is a kind of influx of people who just come here

to stare at our ancestors.

This forgivable error of solipsism has left the door open.

Circling each other, since then neither able to argue

more logically, we owe nothing to their memory

even if it were to stand a chance.

We broke open those pockets of pus, we peeled

the remaining walls of abscesses. There’s

now an openness to it that we try to understand.

A sense of camaraderie and unspoken arrangements.

This forgivable air of dusk-traffic left those doors open

and presented an awkward form of opportunity

and everything else is

pretty much debris in comparison.

A more serious threat of deaf-will looms, it’s nothing but grey

and the differences in us between are exposed :

Values that we might not peril flutter.

”Values” are the songs liars dance to, now that you know the words, sing it to me.

2.

To run with hares and to hunt with hounds ( ? )

In every case we will turn our attention from all

that goes on and today is when form is ours

completely. We arrive at the possibility of

delight in every form of choice.

We will fall through the ceiling erected by the past,

progressively. Who is this creature we would

educate so joyfully? Whose eyes sparkle and snap like

confetti ? Makes you cast mere presentation of

the environment in the finely honed when the

ability an exacting and exhausting business, this

damming up the sublime only through utter

mastery of technique. Then we will remember

only as distant, not formalistic. Looking for

change, flood of what energy it takes to

educate the useful, and sometimes joyful.

We glance resentfully at you, then go on to the

response of only a thin slice, as well we shall

see, of what we can do to score high on those

rigged ratings we call the solving of elegant

mathematical problems and it won’t be true.

The series of what are our capacities, can they

become rare and valuable, each response at

every step along the way, better to utilize the

rigidity to resist change. The worst of that we

will need to keep to ourselves.

They are the valiant, making love in the same beds as we do.

3.

Fog emerges to write future answers across the sky.

Seeing the dissociated like

a collection in parts.

A deeper sense of where

we gather above

or outside of nature,

or in barren

fields left to decay.

Don’t hesitate to analyze systems of prediction.

In the wide spread way of thinking in every corner

in time may become more apparent.

Stretching and folding operations

traced lines connected to forests,

finally abandon outside.

Leaves curled up to encase the steam.

I carry those leaves in my hand for awhile.

When we look we no longer possess pleasures,

there is no justification without

a trace of cynicism. If you want to recommend

the bland indifference energy must be generated.

We differ from the barriers which the fullest

harmony is a question that can penetrate natural obstacles,

there is no reason which we alone influence direction that our veins flow.

4.

Rare honeys :

who do you belong to?

The last time a range of

rubble where they’d soon

be given over to performing

this job. The trouble is,

who could ever replace them

when the train stopped?

Twenty-three minutes later an immense leap

of attempts to prove that you, and your orders were

given a clear mess of concrete destination. Could I

step in while they boarded just before midday?

In the written words of the book the time had

come. Here it is. One of a handful. The train was

moving quickly when it came down to it, one of

them called the shots and climbed out with them.

If you feel like it, come with me.

As I’ve been alarmed to my one saving grace which is

distracting, it keeps showing me things and continues as

everything had happened. It shows us something we

hadn’t learned to speak of, or even to read, the first

colours can step in and boil and stir up our existence and

then fall on top of each other, but most of us just leave

them on the ground. For now, it’s not such a life

moving on with a shuffle, more of a near-silent twitch.

A suddenness of showing us.

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About Robert Swereda



Bio: musician and visual artist Robert Swereda got more serious about writing when he moved to Vancouver, Canada, he is the author of the chapbook “Answers”( a Robin Skelton project) He has been previously published by terminus1525